Monday, 2 March 2015

Jännerwein live

Lord Bassington-Bassington would like to share this video of a very nice performance by Jännerwein.

Because there is something that's just so satisfying about following a project from its humble inception, seeing it mature and burst into full bloom.

Because this is one of those rare live events where the audience actually shuts up.

But mostly because Lord Bassington-Bassington, being the somewhat stupid and senile canine he is, keeps losing the link to this video. So by posting it here His Lordship would have no excuse to misplace it.

Saturday, 14 February 2015

Chappist magick?

Lord Bassington-Bassington has recently become reacquainted with one of the heroes of his youth, namely intrepid young reporter Tintin. This has had several important effects on His Lordship's daily life (such as wearing breeks much more frequently) but also in delving into the lovely character of Professor Calculus, the ever perambulating, always pendulating eccentric.

Of course, it was Professor Calculus who introduced the young Lord Bassington-Bassington to pendulation. And lo and behold, His Lordship found this book in one of the book stashes from the Sufi Master's old library.

Time to try one's paw at it! But what to pendular with?

Bingo! With His Lordship's passion for pocket watches, pendulation shouldn't be a problem. We're sure that lots of fascinating Fortean finds will be unearthed in the near future.

Wednesday, 4 February 2015

Words of wisdom

(The dictator in question is, of course, none other than Roderick Spode. Thanks to Mrs. Boyle for the image.)

Luciferian Women's Day

Since Lord Bassington-Bassington's friends the Somersetians asked us to translate this promotional text for the Heretical Cellar, so they could share it at their ZOAS Press website, so why not post it here as well.

Saturday, March 7th
The Heretical Cellar presents
Those damned women: Lucifer as feminist icon

For many Norwegians, occultism is associated with über-macho black metal. That makes it easy to forget that several of the trailblazing occultists also were pioneering feminsts. The mother of Western occultism, Helena Petrovna Blavatsky, founded her own religious movement at a time when a woman's place was by the kitchen counter, and the rebel angel Lucifer inspired women to demand their rights.

The Heretical Cellar invites you to an early start to the International Women's day. Join us for a trip through esoterical and decadent environments to meet prophets in skirts, lesbian Luciferians, Dagny Juel and the actress Sarah Bernhardt.

As a guide we've invited Per Faxneld, associate professor at the University of Stockholm, where he has defended a doctorate thesis entitled "Satanic Feminism: Lucifer as the Liberator of Woman in Nineteenth Century Culture".

Faxneld is as good a public speaker as he is a rock-solid academic, so this is something we're really looking forward to.

Faxneld's thesis is also published in book form (Molin & Sorgenfrei forlag) and will be available for sale this evening.

As usual there's food, drink, music and darkness at Katedralen in Parkveien 13 (it's a bit into a side street). The party will cost you 70 kroner, and you must be 18 years to enter. We open our doors at 19:00 hours and continue into the Women's day itself.

Welcome to an evening dedicated to feminism and Lucifer!

The event on Facebook.

And we couldn't resist linking to this write-up of Dr. Faxneld's book.

Saturday, 10 January 2015

Art Nouveau Cthulhiana

This marvellous artwork was an early Yuletide present from Lady Mju, Lord Bassington-Bassington's better three-quarters, Lady Mju, and was commissioned, of course, from artist Kim Holm, known for his deep delvings into the Lovecraftian. Isn't it grand? With a proper frame, it will grace the walls here at Bassington Manor.

It won't exactly be out of place, either, because there's already enough Lovecraft-inspired artwork, literature and films here to make the place feel a bit like a Mythos theme park already.

But taking a cue from Lady Mju, the latest addition to the Lovecraftian collection needs a name. The winning suggestion will get a prize. For real. Totally. Suggestions in the comments field, please.

Saturday, 11 October 2014

Dog mit uns

This is possibly the best art since Julian Quaye's dandified canines, but with an even better racial match than even that captivatingly Prussian canines we have seen since Der Kaiser.

Stolen from the obviously very talented artist Zarnala.

Wednesday, 24 September 2014

Non-Lovecraftian Lovecraftiana: A Few Favourites

Great Cthulhu watching over the research material.

H.P. Lovecraft hasn’t only become a cornerstone of horror fiction, he also more or less created his own, instantly recognizable subgenre: one full of scholars hovering on the edge of sanity and hidden cults worshipping ancient beings in far-away places.

So it shouldn’t be surprising that it seems to have become a rite of passage for horror writers to try their hand at penning a story or ten in his style or set in his universe. This has been going on since Lovecraft’s own time, but has escalated in recent years because the lapse of copyright (70 years after Lovecraft’s death in 1937) means that anyone can use the Gentleman of Providence’s material and themes with impunity.

The resulting deluge of Lovecraftiana gives Lord Bassington-Bassington mixed feelings. For as anyone with even the most superficial acquaintance with genre literature will have figured out already, much of it is little value: Uninspired re-tellings of Lovecraft stories done by people who couldn’t write to save their sanity. His Lordship tries to resist buying and reading it all, fearful that all the crap imitations will kill his taste for the real thing, in the same way that watching one too many Elvis impersonators might turn you off The King for good. But as his bookshelves attest he hasn’t really succeeded in conquering his compulsion to buy and read pretty much everything Lovecraft-related.

So is it worth it? Yes. Not only because derivative trash can be fun to read too, but also because sometimes his Lordship comes across material that is superb, reminding one of why he found this stuff appealing in the first place.

A long while ago, Lord Bassington-Bassington was issued a literary challenge by his better three-quarters, Lady Mju: To produce a list of the ten most readable Lovecraftian stories not written by Lovecraft. The challenge was accepted, but like most things here at the Chronicles it took a looooong time.

His Lordship would like to defend himself by pointing to the sheer amount of reading necessary to complete this task, but that’s really dogwash. The real reason for the slowness is that Basset hounds are best at sleeping on the sofa.

But anyway, here it is: Lord Bassington-Bassington’s ten favourite Lovecraftian stories written by someone other than ol’ Grandpa Theobald himself. This is not to be taken as some sort of attempt at some sort of Lovecraftian canon, they are merely some of His Lordship’s personal favourites. The stories are also not presented in any particular order.

1. “A study in emerald”
By Neil Gaiman

Neil Gaiman pays homage to Sherlock Holmes and the Great Old Ones at the same time by creating a Victorian world where the Cthulhu and his compatriots have successfully conquered the world. The result is fantastic, and a lot of fun. Does humour belong in Lovecraftiana? Neil Gaiman certainly seems to think so, and it’s hard to disagree with him.

2. “Notebook Found in a Deserted House”
Robert Bloch

It’s hardly surprising that the best attempts at writing Lovecraftian tales come from people who knew how to write already, and Bloch (best know for the Hitchcock-adapted Psycho) sure knew his way around a typewriter.

Robert Bloch has actually written a lot of Lovecraftiana, and this is perhaps not even the one that contributes the most to Lovecraft’s Mythos. But it is a favourite of Lord Bassington-Bassington’s: A quite straightforward, sometimes a bit silly but nevertheless terribly effective, thriller. One of few stories His Lordship has read which actually made his pulse race even if he was lying down – and had read the story several times before.

3. “The Strange Dark One”
Wilum H. Pugmire

No such list would be complete without “Captain Pugmarsh”, the world’s leading Lovecraftian gay punk Mormon. Not content with penning the occasional Lovecraftian tale, Pugmire writes Lovecraftiana full-time. In the process he has created his own Lovecraftian setting, Sequa Valley in the Pacific Northwest. The results definitetely transcend the normal fan fiction, darkly decadent and dream-like.

This is His Lordship’s favourite Pugmire story, not least because it revolves around a bookshop. More stories should revolve around bookshops. Perhaps all of them.

4. “The Faces at Pine Dunes”
Ramsey Campbell

Like W.H. Pugmire, Campbell has created his own locales, around the river Severn in eastern England, and produced a cycle of Lovecraftian stories set there. As Campbell himself readily admits most of those are pretty run-of-the-mill (some of them are juvenile works), but “The Faces at Pine Dunes” is something else.

Campbell’s clever use of British mythology creates a coming of age-story that manages to use classic Lovecraftian motifs while still having a totally fresh feeling.

5. "There Are More Things"
Jorge Luis Borges

It seems astounding to think that a Nobel Prize laureate actually penned a story dedicated to H.P. Lovecraft, but then Borges was possibly the coolest writer who ever lived.

This is very minimalistic and clever re-working of some key Lovecraftian themes. And even if Borges himself seems to have been a bit ambivalent about the story, it is probably worth about a dozen of those anthologies of Lovecraftiana being churned out these days.

The wall here at Bassington Manor.

6. “The Courtyard”
Alan Moore

Alan Moore is one of the most important people working in comics (or “graphic novels” as pretentious types would have you call them) but this is a normal black letters on white background-based short story. And a pretty superb one, dealing with punky cults and linguistic horrors.

True to Mr. Moore’s day job “The Courtyard” has been adapted as a comic, and forms the first part of Neonomicon. It’s not bad at all, but one should probably skip the second part, which descends into the usual trap of sex and monsters which often afflicts attempts to make Lovecraft more “contemporary” and “cutting edge”.

7. “Furierna från Borås”
Anders Fager

Lord Bassington-Bassington doesn’t really like reading Anders Fager. Quite simply because Fager’s fiction makes him feel uncomfortable. But then, that’s part of the whole point of horror fiction, isn’t it? So let’s say it’s a compliment. Simply put, Fager transplants Lovecraftian themes to modern-day Sweden.

As for Lord Bassington-Bassington’s grumblings about disgusting human copulation in the entry above, there are no rules without exceptions. Fager’s use of sexual elements works like a charm. Or perhaps a curse. And speaking of curses, Fager’s international recognition is bound to be hampered by the fact that his stories are only available in Swedish. International publishers take note.

8. “The Last Feast of Harlequin”
Thomas Ligotti

While Lord Bassington-Bassington dislikes Anders Fager, he finds Thomas Ligotti positively repulsive. But there is no way around him. As Edgar Allan Poe was the most important horror writer of the 19th century, and Lovecraft of the 20th, Ligotti is the most important horror writer working today.

While Ligotti is mostly (in)famous for his nihilistic “corporate horror” stories, his Lovecraftian works are among the best ever produced. “The Last Feast of Harlequin” might not even be the best of the bunch, but as it is essentially a deft re-telling of Lovecraft’s “The Festival” (which again is a re-telling of Arthur Machen’s “The Happy Children”) it instantly found its place in His Lordship’s heart.

9. “The Burrowers Beneath”
Brian Lumley

Lord Bassington-Bassington has an ambivalent relationship with Brian Lumley’s Lovecraftian stories, which tends to be depressingly derivative when he tries to stay true to Lovecraft. Lumley is more enjoyable when he writes about his supernatural investigator Titus Crow, a sort of occult Sherlock Holmes, and just does what he pleases to the Lovecraft mythos – sometimes making an awful mess of things.

This is a bit long for a short story, which is why the excerpt “Cement Surroundings” tends to appear in anthologies (also because its faux-Lovecraftian tone fits in better) but this is shameless, pulpy fun.

10. “The Hounds of Tindalos”
Frank Belknap Long

Frank Belknap Long’s little tale of time-travelling perfectly encapsulates H.P. Lovecraft’s concept of “cosmic horror”. All in all, this is a superb Lovecraftian story. All it needs to achieve perfection is a more accurate description of the Hounds. You know, something about the ears and jowls and such. Come on, that’s not too much to ask is it?

So there you have it, ladies and gentlemen. A small list. What next? A list of Lord Bassington-Bassington's favourite Lovecraftian films, perchance?