A summery shrine to Tsathoggua

These Chronicles will, in all likelihood, take a break in publication for the duration of the summer. Lord Bassington-Bassington would like to wish all his faithful readers (yes, we know there is something wrong with that sentence, but we haven't got the heart to tell His Lordship) a good summer, and would like to share this snapshot of His improvised shrine to Tsathoggua, the Toad God.

Playlist, Café Grössenwahn

A few weeks ago, we here from Bassington Manor did our best to entertain the elegant ladies and gentlemen at Café Grössenwahn by spinning some tunes for them. In case you are interested, here is what was spun. DJ Baetylos handled the first part of the evening.

Since everyone knows that MP3s are soooo 2010, we’re happy to announce that half of these tracks were played from real, old-fashioned (is there any other fashion?) vinyl.

Derniere Volonte: "Toujours" (7 inch version)
Sol Invictus: "Among the Ruins"
Cult of Youth: "Train to Kill"
Klammheim: "Heimat"
Joy of Life & Apoptose: "Violet Creed"
TriORE: "Europa’s Dream"
Spiritual Front: "No Kisses on the Mouth" (Nihilist EP version)
Down in June: "The Enemy Within"
Ronny: "Blue Cabaret"
Ostara: "The First Day of Summer"
Sonne Hagal: "Midsummernight"
The Green Man: "Liber Al"
Die Weisse Rose: "Nicht Schuldig"
Current 93: "They Return to Their Earth"
Sturmpercht: "Der Tanz des Tatzelwurms"
Death in June: "Unconditional Armistice"
This Immortal Coil: "Ostia"
Hawthorn: "Wormwood Season"
Of the Wand and the Moon: "Hail Hail Hail" (Bollywood mix)
Dead Can Dance: The Carnival is Over



(That young rascal, Winthrope Bassington-Bassington, spinning some Danish industrial vinyl.)

Dominion Press - now on the Interwebs

Shamelessly nepotistical promotional plug: Presumably after getting access to a vril-powered steam modem, Annabel Lee and Michael Moynihan's publishing house Dominion Press have finally gotten a website. Which means you have one excuse less for not purchasing their books.



Lord Bassington-Bassington owns copies of every title released by Dominion, and they are produced to amazing standards. And that's just the bindings!

Whether you agree with every comma in these books is beside the point. For if you have any interest at all in the obscure, arcane or extreme - and why else would you be reading these Chronicles? - Dominion Press is an inevitable aquaintance. You might as well strike up that aquaintance now.

The Whisperer in Darkness: The Trailer

Lord Bassington-Bassington is working on the program for the next Little Storping in-the-Swuff Howard Phillips Lovecraft, Lewis Theobald III and Sundry Mythos Writers Cinematographic Festival (and Open Absinthe Bar). And to his lordship's delight, work on the dramatization of H.P. Lovecraft's "The Whisperer in Darkness" seems to be continuing at a good pace.



The project is done by The H.P. Lovecraft Historical Society, who gave us the excellent silent version of the Call of Cthulhu a few years ago. "The Whisperer in Darkness" will use a more commercial approach (it's a talkie), but it still looks like that rarest of cinematographic creatures: The faithful H.P. Lovecraft adaptation.

The trailer for "The Whisperer" is too broad to be embedded in the Chronicles, so you'll have to go to their blog or to YouTube to see it. Do this.

This will, quite possibly, be the most satisfying Lovecraft film ever produced.



(Miskatonic University, as imagined by the H.P. Lovecraft Historical Society).

S(ermo) III: Lovecraftian ambient

Dark music influenced by H.P. Lovecraft’s writings is about as hard to find as gospel music influenced by the New Testament. But it’s not every day that someone releases a whole album based on Lovecraftian lore, especially not someone who is a good friend of us here at the Chronicles. But this has just happened, as Norwegian ambient outfit S(ermo) III have released their debut album Easy Listening for the Great Old Ones. It's available in an ultra-limited, handmade edition, at a S(ermo) III website near you.

We suspect that it was Lord Bassington-Bassington himself who suggested the idea of a whole record of background music for Lovecraftian reading. We’ve tried that out here at Bassington Manor, and must say that Easy Listening for the Great Old Ones really makes one want to dip into the works by the Gentleman of Providence - and stay there for a good while. So we thought it only fitting to bring you a short interview with the illustrious young man behind the project, Marius Huseby.

- You have a background in extreme metal and very confrontational noise. How did the idea to make dark ambient – which, as we know, is new age music for goths – come about? And what are you doing besides R’Lyehan lounge music?

- Extreme metal and noise was starting to give me migraines, and I wanted to make music I could actually enjoy listening to myself. That is, basically, it. But I have also in the last few years opened my ears to a lot of dark ambient and darkwave music, and I figured I'd try to see if I could make anything interesting.

- I am, however, still doing the extreme metal thing, in spite of my migraines. I'm such a glutton for punishment. Fantöft and Eliminate are my two main priorities at the moment.



- Your latest release is entirely based around Lovecraftian concepts. Why are you so attracted to the Lovecraftian, and has the Gentleman of Providence influenced the way you see the world? Has he affected your religious and political views?

- I discovered Lovecraft at a rather early age; I think I read The Call Of Cthulhu when I was thirteen, and it did something to me. Something Unclean, Other-Worldly and Eldritch took hold of my Soul and made me the Horror Fiend I am today. Lovecraft has influenced my religious views indirectly, as he was a huge influence on Herr Doktor Anton Szandor LaVey and the Church of Satan, an organisation that I am a proud member of.

- Politically, I am so near total schizophrenia, my influences so vastly tangled, that anyone trying to get to the bottom of it would end up lost in a maze of Non-Euclidean Horrors Beyond All Time.


(Satanic carny style, as interpreted by Coop.)


- On the subject of Satanism, you seem to be one of the few people from the black metal subculture in Norway with the guts to be influenced by La Vey’s ”carny” style instead of the hippie/transvestite-in-black look common with male metalheads. What are your experiences with this, and have you any thoughts on how your style will progress in the future?

- Actually, I did do the Black-Clad Hippie thing for quite some time in my teens/early twenties. It got old real quick. I prefer the really outrageous attire of the carny, using COOP's Satan drawings as inspiration. Lately, I have been finding some real gems in second-hand stores, and I have a feeling my style will develop more and more into early 20's/30's British aristocracy. I'm a sucker for tweed. And checkered jackets!



(Skrållan Huseby, guest vocalist - or perhaps "purrer" – on the track "Atal's Cat".)

Happy birthday, Norway!

In a fit of patriotic fervor, Gustav Beowulf av Lulubelle marks the Norwegian constitution day.

Café Grössenwahn - opening night

And suddenly it had happened. Oslo, and Norway, had its first neofolk club – Café Grössenwahn.

As is usual with an opening night, most natural laws were replaced by Murphy’s law. It’s hard to work a volcanic eruption into your plans, and we are eternally grateful to Solblot for stepping in at the last minute to replace Duo Noir.

Solblot gave an electric performance in front of about 70 immaculately attired members of the Norwegian Society for Megalomania (which also contains Austrian, Swedish, Danish, French and Polish members), and Lord Bassington-Bassington seems to recall spontaneous outbreaks of folk dancing fuelled by absinthe and Weissbier. An inauguration ritual and performed by a merry assortment of practicising magicians and burlesque models (and set to music specially composed by ambient masters K100) also added a touch of the extraordinary to the evening.

We're also very proud of our logo, created by dynamic design duo Trine og Kim.

All things considered, we dare call it a success. And we’re already looking forward to the sequel on June 12th, which will be a tribute to neofolk film The Wicker Man featuring Italian band The Green Man.

Here are some pictures from the opening night. Thanks to Lady Mju for providing them. If some of the pictures are a bit blurry, we suspect it has something to do with the fact that this club night quite possibly set some Norwegian record for the sale of absinthe - at least on this side of the 1890s.